My Spoiler-Free review of The Return of the King
All that I hoped it would be and more.
I have seen it.
And DAMN, it is great.
Literally the crowning glory of the finest film trilogy yet.
The Return of the King is the final part of the unprecedented 10-hour plus movie, The Lord of the Rings. Here, the world of Men and their allies makes a final stand against the seemingly numberless hordes and legions of evil. The broken Fellowship of the Ring, which had so valiantly come together in the quest to destroy the terribly evil and powerful One ring, must now fight battles that will test them to their limits and beyond. Some might not survive. None will make it through without being changed forever.
I came into the theater knowing a lot of stuff, but nevertheless I was there rooted to the seat, unyielding and determined to suck in every single second of this Grand Finale. The film takes some time to get going, as it is just coming from the exhausting battle which was The Two Towers. But after a certain point, ROTK finds it’s legs and from there on you can’t dare leave for missing a pivotal moment of either awesome action sequences or an emotional heart-stabber.
In ROTK, the characters grow and move to their finest or lowest, depending on their roles.
Gandalf (Ian McKellen) gets the screentime he deserves as the most butt-kicking wizard in film history. I still have to say I miss the old Gandalf the Gray, but rest assured, by the end of all things, you know that despite the change in color and power, Gandalf is the same wonderful wanderer who loves to make children laugh with fireworks.
Merry and Pippin (Dominic Monaghan and Billy Boyd, respectively) have come a long way from being mere comedy relief and tag-alongs on this epic quest in the first chapter. Their roles in this conflict are pivotal and both share moments of great drama.
Aragorn (Viggo Mortensen), as the titular would-be monarch, finally faces his ultimate responsibility. I have read in some reviews that they found his change in character and conflicts in the film were not great enough given such an important character. But I feel that the performance- how the character remains true to himself, remaining the humble and valiant ranger who defended the hobbits atop Weathertop in FOTR even though he takes on a far higher mantle attests to the greatness of this character.
Legolas and Gimli (Orlando Bloom and John Rhys-Davies respectively) continue their roles as Aragorn’s closest allies and comrades-in-arms. Their roles are perhaps a lot smaller, but they still get choice scenes. Gimli is still the source of much-appreciated humor, while Legolas proves that he is without a doubt the most bad-ass elf of all time- insert audience-cheering moment here. Heh.
Frodo (Elijah Wood) and Samwise (Sean Astin) continue their trek to Mount Doom, an item of implacable evil with them, and the twisted, manipulative Gollum (yet again played with masterful glee by Andy Serkis) leading them to a horrible fate. Friendships will be tested to their breaking point and beyond, and the performances here will no doubt earn moist eyes from all save the most icy-hearted and jaded of moviegoers.
Thankfully, even minor characters such as the Rohirrim- King Theoden, Eowyn and Eomer (Bernard Hill, Miranda Otto, Karl Urban) get their moments to shine, particularly in the film’s most climactic battle scenes. Faramir (David Wenham) continues his role as the hapless, selfless Captain of Gondor, giving himself totally in vain to please Denethor, his arse of a father (played with creepy fervor by John Noble).
Finally, the elves Elrond, Arwen and Galadriel (Hugo Weaving, Liv Tyler, Cate Blanchett) have tiny but meaningful roles, and we get to see Bilbo Baggins (Ian Holm) one last time.
Perhaps the best compliment to this film is simply this- despite having easily the most powerful battle sequences yet seen on film (Dueling Catapults, Pelennor Fields- DAMN!!!), you never lose the characters or emotion at stake here. The price for defeat, the bonds of friendship and love between every single group… it is never lost or forgotten. I know no other film that remains so rooted in values even as it rises to such soaring heights.
And after all the battles and fireworks, ROTK takes an unusual road to the end. Fitting enough for a unique cinematic experience such as this, ROTK does not simply give us a joyous, empty victory dance or an odd massive explosion. The ending to ROTK is prolonged, meaningful, powerful and damn satisfying.
I’ll give fair warning now... there are several false endings which may get impatient (and foolish) watchers to get up and go, only to have to sit down as another sequence continues. This long goodbye we are afforded is truly welcome, needed and deserved after the mammoth undertaking of these characters we have grown to love and enjoy. Just do NOT stand up until you see the words THE END on the screen. Even then, I’d sit and watch through the beautiful credits, a fitting bow and curtain call to the magnificent cast and crew who have entertained and awed us these past three years.
I want to watch this film again. And with that, I declare The Lord of the Rings as the MADman’s finest and best movie trilogy of all time.
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